Cardi Gallery, London presents an anthology exhibition dedicated to the pioneering Japanese movement Mono-ha. Mono-ha (“The School of Things”) emerged in 1968 Tokyo as one of a number of networks engaged in radical counter-art practices of non-making that characterized the post-war Japanese artistic discourse, such as the Gutai group in the ‘50s, the Neo-Dada Organisers and Hi-Red Center in the early ‘60s. In Mono-ha, ordinary things are presented in extraordinary ways, materials traditionally seen as incompatible juxtaposed, limits of geometry defied. Never self-referential nor self-contained, they exist – as the Tokyo-based Korean philosopher and key Mono-ha artist Lee Ufan defined them – as encounters: relationships amongst materials (kai), relationships between things and other things in space, relationships between things and the body and more broadly, between man and matter (natural and man-made). Seventeen works produced between 1968 and 1986, often of monumental size and shown for the first time in the United Kingdom, inhabit the Georgian townhouse.
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https://cardigallery.com/exhibitions/