The ways museums define themselves are often peppered with a multitude of superlatives – proclamations whose truthfulness is devoid of any statistical verifiability. Of course it sounds good and convincing. Jiwon Kim unmasks and satirises this strategy in One of the Most Significant Exhibitions.

The subject of her exhibition is the power relations between artists and the cultural sector. To this end, Kim investigates both the mechanics and conventions of the art industry and her own position in it. In a tongue-in-cheek manner, she incorporates her role as a woman of Asian origin

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